Donna Maria Feghali’s Eshrin Collection Captures a Pivotal Year


For many of us, 2020 was a year of upheaval and transformation. We all faced our own challenges, and for Lebanese designer Donna Maria Feghali, it marked a creative shift stemming from what she describes as a “really intense personal journey.” Feghali candidly shares: “Looking back, I realized it totally reflected in my creative work and in this collection, which is way different from anything I’ve ever done before.” That year, she established her Paris-based studio, and now, she introduces Eshrin, a furniture collection dedicated to that pivotal time. Named after the Arabic word for twenty, Eshrin is an exploration of contrasts – structured yet fluid, bold yet understated – bridging past experiences with a new creative vision.

A modern rectangular table with a white marble top featuring circular inlays and uniquely curved wooden legs on a plain background

Eshrin is Feghali’s first collection produced in Egypt, created in collaboration with Cairo-based manufacturer Nineteen Furniture. The series includes a dining table, dining chair, coffee and side tables, a buffet, and two couches, each piece embodying her signature blend of sculptural presence and refined simplicity.

A white rectangular table with circular inlays on the surface. The table is supported by four large, curved, industrial-style legs in gray and brown

The Eshrin Dining Table is the central piece of the collection, embodying a sculptural approach to furniture. Its base, comprising four arched Egyptian limestone cylinders in Golden Sinai and Grey Triesta, supports a Macedonian white marble tabletop, creating a striking contrast between solidity and lightness.

Close-up of the underside of a table with U-shaped legs in beige and one gray in the background on a white surface

A chair with a white arched backrest, white cylindrical legs, and a yellow cushioned seat on a gray background

Complementing the table, the Eshrin Dining Chair echoes its curvature of the base with a sleek silhouette and curved backrest. Crafted from acid-treated beech wood and upholstered in bouclé fabric, it blends structure with softness, offering a seat that is both comfortable and visually refined.

A wooden sideboard with four square doors, one slightly open revealing teacups inside. Three white vases and two oranges are placed on top

Like the dining table, the Eshrin Buffet is also designed with a cylindrical base, balancing the solidity of its structure. The rounded edges extend beyond the frame of the storage, providing a natural grip to open doors that reveal ample storage.

A black, rectangular wooden cabinet with four textured panels and two cylindrical legs on a white background

A wooden side table with a square base and top, featuring stacked wooden layers and a central white cylindrical support.

The Eshrin Side Table, sculptural in its own right, merges bold geometry with organic warmth. The solid beech wood base, finished with an acid treatment, anchors the piece, while the pitch pine burned wood top adds a tactile dimension.

Three modern tables with textured black tops and curved white legs, varying in height, arranged together on a neutral background

The Eshrin Coffee Tables have a resemblance to both the dining table and the side table. With their arched cylindrical bases and perfectly balanced table tops, they reinforce the collection’s play on form and weight.

Square black tables with a textured, cracked surface and sleek metal legs are arranged closely together

A beige, modern sofa with clean lines, adorned with a red throw blanket, set against a textured gray wall on a rug-covered floor

Rounding out the collection, the minimalist linear Eshrin Couch features subtle curves that soften its structured silhouette. Available in two variations – one featuring an acid-treated beech wood base with white bouclé upholstery, the other with a lacquered beech wood base and textured beige fabric – the couch is a soft landing spot for solo relaxation or open conversation.

We all came away from 2020 changed in some way with our perspectives shifted and our priorities reshaped. That year marked the beginning of a new creative chapter for Feghali, one that led to Eshrin. Through this collection, she translates a deeply personal journey into form, material, and balance, proving that even in times of uncertainty, something new and meaningful can emerge.

A beige armchair with rounded arms and white legs, draped with a folded red blanket on the left side, is set against a plain, light-colored background

To learn more about Donna Maria Feghali’s Eshrin collection, visit donnamariafeghali.com.





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